Taxi to the Dark Side Wins Academy Award

Torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay Exposed In Oscar Award Winning Film

Best Feature Documentary 2008

by Paul Starr

Taxi to the Dark Side, a film that takes an in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay has won the coveted Academy Award for Best Featured Documentary for 2008.  The film, Directed by Alex Gibney, focuses on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

In December 2002, an Afghan named Dilawar had scraped together enough money to buy a taxi. He was fingered by a paid informant as a terrorist connected with a rocket attack. Taken to the American prison at Bagram, Afghanistan, he was tortured so violently that he died after five days. An autopsy showed that his legs were so badly mauled, they would have had to be amputated, had he lived. Later, the informant who collected U.S. money for fingering him was proven to be the terrorist actually responsible for the crime the innocent Dilawar was charged with.

An official report said Dilawar died of "natural causes." The New York Times found an autopsy report describing the death as a homicide. After a belated investigation, a few U.S. soldiers were accused of the murder. No officers were involved. Dilawar was the first casualty after we started to "work the dark side." In all the torture scandals since, few officers have ever been charged. If all of these crimes took place without their knowledge, they would appear to be guilty of dereliction of duty, if nothing else.

This film is a worthy attempt to bring what has become a familiar subject throughout the Bush years without necessarily giving the other side an opportunity to state their case. While I personally support what the film is saying about questionable, even criminal policies of the Bush Administration’s view on "interrogation" as a betrayal of all this country holds dear, the film leaves itself open to attack which is unfortunate. Tidbits are cherry picked from interviews and Congressional testimony, and while it’s understandable that major players didn’t want to sit down and give an interview, it’s glaring that they aren’t given an chance to explain why they’ve said what they said. I’ll acknowledge the filmmaker probably has it right, but nevertheless, it’s an unfair tactic.

The chief first hand accounts of information are from U.S. Military personnel who have been convicted of crimes (with the exception of one British national who has a harrowing, convincing story to tell). While what they have to say is compelling, the absence of any testimony of those who gave them those orders is absent. We have their attorneys or third parties removed to interpret what happened…or might have happened. While I couldn’t be more sympathetic to the bind we’ve placed our young men and women in, the last thing I wanted to hear from an individual who’s been convicted of torture and "wrongful death" (labeled a homicide by the coroner) is "I’m financially ruined." The moral quandary raised by the film isn’t nearly answered until the final credits roll.

And where is Congress? Where is the oversight they are obligated to perform? Oh, they’re holding hearings on steroid use in baseball.

Gibney widens the net to include the illegal detainees at Guantanamo, most of whom have never been charged with any crime. He talks with former administration officials and spokesmen who didn’t like what they were seeing and resigned. His conversations with the American torturers themselves are the most heartbreaking; young kids for the most part, they thought they were doing their duty. And he includes never before seen photos and images of torture at work. One tactic: Prisoners have their hands tied above their heads, and are made to balance on boxes in pools of electrified water. Would they really be electrocuted if they fell off? Would you like to try? Sen. John McCain, who endured unimaginable torture during the Vietnam conflict, is among the most outspoken critics of this strategy.

There are those, their numbers shrinking every day, who would agree we have to "work the dark side." Growing numbers of us are yearning for the light. This movie does not describe the America I learned about in civics class, or think of when I pledge allegiance to the flag. 

We’re never sure exactly what we’re looking at. "Reenactments" are identified briefly, but clearly there is a lot that isn’t documentary footage, and the famous photos of Abu Ghrabib reappear over and over frequently out of context.

This is a shameful chapter in American history, and it needs a less doctrinaire film to expose what are, as pointed out, crimes of war. One of the most effective moments is when the filmmaker’s father appears over the closing credits. He is a former interrogator in WWII. His outrage rings true, and it should be every American’s cry as well.

• Official Web Site: http://www.taxitothedarkside.com