By Gilad Atzmon
Once again we’ve learned today that in the Jewish State, Goyim’s blood translates into political power. In order to win the Israeli election, Benjamin Netanyahu feels the need to present the Israeli voter with a substantial pile of Palestinian corpses.
Like in the case of previous IDF’s genocidal operations, the current Israeli Pillar of Cloud also has a Biblical connotation. In Exodus 13:21-22, you will find the following: “By day the Lord went ahead of them in a pillar of cloud to guide them on their way and by night in a pillar of fire to give them light,”
Seemingly, the current Israel murderous assault against civilians is consistent with the Zionist secular interpretation of the Old Testament. ” …then you must destroy them totally. Make no treaty with them and show them no mercy.” (Deuteronomy 7:1-2). However, this time it isn’t God who guides his chosen people. It is actually a democratically elected war criminal that was chosen by God’s favourite people.
Some ‘progressive’ minds amongst us insist that we should never refer to the Jewishness of the ‘Jewish State’. But I am afraid that considering the emerging level of Israeli barbarism and some clear Biblical connotations, such a critical tendency is inevitable.
The Wandering Who? A Study Of Jewish Identity Politics, Jewish political interest and Israeli barbarism in the context of Biblical Jewish secular interpretations.
Gilad Atzmon is an Israeli-born British jazz saxophonist, novelist, political activist and writer.
Atzmon’s album Exile was BBC jazz album of the year in 2003. Playing over 100 dates a year, he has been called “surely the hardest-gigging man in British jazz.” His albums, of which he has recorded nine to date, often explore the music of the Middle East and political themes. He has described himself as a “devoted political artist.” He supports the Palestinian right of return and the one-state solution in the Israeli-Palestinian conflict.
His criticisms of Zionism, Jewish identity, and Judaism, as well as his controversial views on The Holocaust and Jewish history have led to allegations of antisemitism from both Zionists and anti-Zionists. A profile in The Guardian in 2009 which described Atzmon as “one of London’s finest saxophonists” stated: “It is Atzmon’s blunt anti-Zionism rather than his music that has given him an international profile, particularly in the Arab world, where his essays are widely read.”
His new book The Wandering Who? is now availble at Amazon.com
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