If the quenelle is loosely defined as an anti establishment salute, one may wonder why Jews are offended by it and regard it as an ‘anti-Semitic’ gesture?
Is it because many Jews actually identify with ‘the establishment’? And how do we explain the fact that the French government is happy to compromise the most elementary liberties just to appease the French Jewish Lobby (Crif)?
The truth is devastating – Palestine is here and the French people are the Palestinians Du Jour…
Gilad Atzmon is an Israeli-born British jazz saxophonist, novelist, political activist and writer.
Atzmon’s album Exile was BBC jazz album of the year in 2003. Playing over 100 dates a year, he has been called “surely the hardest-gigging man in British jazz.” His albums, of which he has recorded nine to date, often explore the music of the Middle East and political themes. He has described himself as a “devoted political artist.” He supports the Palestinian right of return and the one-state solution in the Israeli-Palestinian conflict.
His criticisms of Zionism, Jewish identity, and Judaism, as well as his controversial views on The Holocaust and Jewish history have led to allegations of antisemitism from both Zionists and anti-Zionists. A profile in The Guardian in 2009 which described Atzmon as “one of London’s finest saxophonists” stated: “It is Atzmon’s blunt anti-Zionism rather than his music that has given him an international profile, particularly in the Arab world, where his essays are widely read.”