…by Jonas E. Alexis
Some joker must have thought that Michael Douglas has already made a significant breakthrough in the twenty-first century. He has been awarded the “Jewish Nobel Prize” and has received two million dollars. We are told that Douglas was awarded “for his efforts to promote Jewish culture.”
But what does “Jewish culture” mean? Does that mean that Douglas has been promoting peace and harmony in the Israel/Palestine conflict? Has he traveled to Palestine like Rachel Corrie did and seen the pain and suffering that the Israeli regime has imposed on the innocent and the helpless? Or could it be that he has been awarded for advancing evil things in Hollywood?
The media wants us to believe that Douglas is a “peace activist.” The questions again are pretty simple. What has Douglas said about Israel’s massive killings of the Palestinians? What has he said about peaceful resolutions in the Middle East? Has he delivered any lecture about living in peace in the Middle East? Perhaps he should pay some attention to Palestinian filmmaker and artist Amer Shomali, who now lives in Ramallah. Shomali said:
“Israeli officials barred me from going to my film’s premiere for ‘security’ reasons. This is life under occupation… In the West Bank and Gaza, the Israeli state controls Palestinians’ border crossings, internal movement within the West Bank, airspace, tax system and population registry. Israeli officials decide where and when Palestinians are allowed to travel. Israeli state authorities even shape our diets by determining what imported foods we are allowed to eat and drink…
“In the West Bank and Gaza, the Israeli state controls Palestinians’ border crossings, internal movement within the West Bank, airspace, tax system and population registry. Israeli officials decide where and when Palestinians are allowed to travel. Israeli state authorities even shape our diets by determining what imported foods we are allowed to eat and drink.
“I am not alone. My story is similar to those of tens of thousands of other Palestinians living under the Israeli matrix of control in the occupied territories. Introduced in various forms over the last 48 years, initial restrictions have spawned an elaborate system that dictates who can travel where.
“In the West Bank, a network of walls, other barriers, and military checkpoints slices the land into an archipelago of separate enclaves. The most extreme case is the Gaza Strip, where 1.8 million people are imprisoned in an enclave roughly twice the size of the District of Columbia.
“Israel’s instrumental use of the word ‘security’ is both elastic and arbitrary. In practice, it is used to limit the freedom of movement of Palestinians who have no recourse.”
Will Douglas help Shomali in the fight? Will he promote his work in Hollywood? If not, how can Douglas want us to take him seriously when he starts talking about “anti-Semitism”? Will he entertain the thought that there is such a thing called anti-Gazans?
As I write, Paul Miller, executive director of the Salomon Center for American Jewish Thought, has lambasted University of Missouri biology professor George Smith for saying that, among other things, the average Palestinian has “go through a checkpoint every time he has to take a shit.” Smith also said that the creation of Israel in 1948 resulted in the “Palestinian Holocaust.”
Miller, of course, did not like Smith’s approach here. Miller was quickly transformed into a fire-breathing dragon and declared that the “U.S. higher education goes down the rabbit hole.”
Once again, has Miller heard of Israeli historians like Benny Morris and Illan Pappe? Is Miller familiar with academic Andrew Pessin, who said that Palestinians are “rabid pit bulls”?
Will Douglas defend Miller?
Going back to our previous point. We can easily see that “promoting Jewish culture” is pregnant with meaning. Douglas works in Hollywood, and some of his brethren like Eli Roth brag that their work will “fu$k up an entire generation.”
So, “promoting Jewish culture” inevitably or indirectly leads to the view that unless the Goyim are screwed up morally and spiritually, then people like Roth will live a miserable life. How else would they continue to produce pornography in the name of “freedom”? How else would they continue to use some Goyim and then degrade them? Isn’t Roth known for inventing things such as “torture-porn”? Roth said:
“The Jews are more angry now about shit from seven thousand years ago than we were seven thousand years ago. We never forget, and we do not forgive.”
Elsewhere, Roth declared:
“We’re all just trying to bring back really bloody, violent, disgusting, sick horror movies… When I go see an R-rated horror movie, I want lots of violence. I want nudity. I want sex and violence mixed together. We’re in a really violent wave and I hope it never ends. Hopefully we’ll get to a point where there are absolutely no restrictions on any kind of violence in movies. I’d love to see us get to a point where you can go to theaters and see movies unrated and that people know it’s not real violence.”
Movies unrated? What in the world is this man talking about here?
Roth here is indirectly saying that you should take your five-year old child to go see his new movie, Knock, Knock, featuring Keanu Reeves. Here is the trailer:
Whether he likes it or not, Roth is proposing a Talmudic worldview, and that is how he approaches movies. That is almost certainly the view that Douglas has been advancing in many of his movies.
In 2010, Douglas was diagnosed with cancer at the age of sixty-eight, and he admitted that tobacco or “enthusiastic boozing” was not the cause of it. Douglas said that the reason he got cancer was due to oral sex. “HPV, the sexually transmitted virus best known as a cause of cervical and anal cancer and genital warts, is thought to be responsible for an increasing proportion of oral cancers.”
The interesting thing is that Douglas has not only corrupted himself but has projected his own lifestyle onto the culture and much of the world through his work. Keep in mind that it was the same Douglas who played in subversive movies such as Basic Instinct, Fatal Attraction, etc. Douglas himself said, “I hide behind my work a lot.”
Douglas seems to be telling the truth in reverse here. Put simply, Douglas can be understood through much of his work. Basic Instinct, which biographer Marc Eliot called a “masturbatory screenplay,” was offered to people like Peter Weller, Sylvester Stallone, Wesley Snipes, Denzel Washington, Kurt Russell, Mickey Rourke, Alec Baldwin, Don Johnson, Tom Cruise, and Patrick Swayze. None of those guys had the guts to digest, well, the “masturbatory screenplay.” “Only Michael,” writes Eliot,
“whose instincts were impeccable, would see Basic Instinct as not just a big picture, but a phenomenon, one that would polish his slightly tarnished leading man image by allowing him to play a slightly tarnished rogue cop…[Producer Mario] Kassar eventually agreed to Michael, not necessarily for his acting abilities but because no other big name would do it.”
Like Voltaire, who was a covert Mason but who waited until later in life to join the Nine Sister Lodge, and like W. E. B. Dubois, who was a covert Marxist but who waited until he was past 90 years old to join the Communist Party, Douglas waited until 2015 to come out of the woodwork and receive the “Jewish Nobel Prize.” In fact, the award is for people who have made
“a commitment to Jewish values, the Jewish community and the state of Israel…Genesis chairman Stan Polovets said in a statement issued Wednesday that Douglas was being honored ‘both for his professional achievements and for his passion for his Jewish heritage and the Jewish state.’”
Douglas’s double standard becomes quite apparent when it was reported that he is presumably an advocate of nuclear disarmament. As we have argued over the past two years, Douglas must know that Israel has hundreds upon hundreds of nuclear warheads. In fact, Israel does not even allow international inspections.
Douglas must also know that Israel has used covert operations to wipe out perceived enemies. Douglas should know that the Mossad worked with former Nazis such as Otto Skorzeny. Douglas is an intelligent man and is almost certainly aware that Israel was involved in the bombing of the King David Hotel.
So, does Douglas really want nuclear disarmament? Or does he really want certain countries, namely Israel, to have nuclear weapons? If he seriously is working for nuclear disarmament, then he needs to talk to Israeli military historian Martin van Cleveld, who diabolically bragged that
“We possess several hundred atomic warheads and rockets and can launch them at targets in all directions, perhaps even at Rome. Most European capitals are targets for our air force…. We have the capability to take the world down with us. And I can assure you that that will happen before Israel goes under.”
It is also reported that Douglas is an advocate of gun control. But how did this man end up making millions upon millions of dollars in Hollywood promoting the opposite ideology? How would the Dreadful Few in Hollywood continue to pervert and subvert and invert the Goyim without guns and violence and drugs? Hasn’t Douglas read Michael Medved’s Hollywood vs. America?
Hasn’t Douglas seen David Cronenberg’s A History of Violence and Eastern Promises? More precisely, has Douglas seen Douglas’ Basic Instinct and Fatal Attraction? Why is it that the Dreadful Few have promoted violence, drugs, degeneracy, race riots, and even pornography in Hollywood?
In short, Douglas is an Israeli double agent whose goal is to force Talmudic mores on the American culture.
 Gary Rosenblatt, “Genesis Prize Taps Michael Douglas,” Jewish Week, January 14, 2015; see also “Israel awards actor Michael Douglas $1 million prize,” Daily Mail, January 15, 2015; Joseph Federman, “AP Interview: In Israel, Michael Douglas marks heritage while collecting ‘Jewish Nobel Prize,’” Star Tribune, June 17, 2015; Jeffrey Fleishman, “Michael Douglas to be honored by the Genesis Prize Foundation,” LA Times, January 14, 2015.
 Debra Kamin, “Michael Douglas Receives $2 Million Genesis Prize in Israel,” Variety, June 18, 2015.
 “Israel awards actor Michael Douglas $1 million prize,” Daily Mail, January 15, 2015.
 Amer Shomali, “We are imprisoned by Israel: A filmmaker not allowed to attend his U.S. premiere on the nightmare of life in the West Bank,” Salon, June 24, 2015.
 Paul Miller, “Israel-Hating Professor Hired to Teach Class on Israel at U of Missouri,” New York Observer, June 24, 2015.
 Quoted in Stuart Dredge, “Netflix series Hemlock Grove: ‘People want their horror horrific,’ says Eli Roth,” Guardian, April 10, 2013.
 Marshall Heyman, “Hackwork: Eli Roth,” New Yorker, August 31, 2009.
 Catherine Shoard, “Michael Douglas: oral sex caused my cancer,” Guardian, June 2, 2013.
 Quoted in Marc Eliot, Michael Douglas: A Biography (New York: Three Rivers Press, 2012), 187.
 Ibid., 188.
 See for example Ethan Sacks, “Arnon Milchan, producer behind ’12 Years a Slave,’ ‘Pretty Woman’ and ‘Noah,’ admits to double life as Israeli secret agent,” NY Daily News, November 22, 2013; Harriet Sherwood, “Arnon Milchan reveals past as Israeli spy,” Guardian, November 26, 2013.
 Jeffrey Fleishman, “Michael Douglas to be honored by the Genesis Prize Foundation,” LA Times, January 14, 2015.
 William Doyle, The Oxford History of the French Revolution (New York: Oxford University Press, 2002), 65; For similar historical accounts, see for example Roger Chartier, The Cultural Origins of the French Revolution (Durham: Duke University Press, 1995).
 See E. Michael Jones, The Jewish Revolutionary Spirit and Its Impact on World History (South Bend: Fidelity Press, 2008), 701.
 “Israel awards actor Michael Douglas $1 million prize,” Daily Mail, January 15, 2015.
 Avner Cohen, Israel and the Bomb (New York: Columbia University Press, 1999); The Worst-Kept Secret: Israel’s Bargain with the Bomb (New York: Columbia University Press, 2010); Seymour M. Hersh, The Sampson Option: Israel’s Nuclear Arsenal and American Foreign Policy (New York: Simon & Schuster, 1991); Michael Karpin, The Bomb in the Basement: How Israel Went Nuclear and What That Means for the World (New York: Simon & Schuster, 2006).
 See for example Dan Raviv and Yossi Melman, Spies Against Armageddon: Inside Israel’s Secret Wars (New York: Levant Books, 2012); Michael Bar-Zohar and Nissim Mishal, Mossad: The Greatest Missions of the Israeli Secret Service (New York: HarperCollins, 2012).
 Bar-Zohar and Mishal, Mossad, chapter 8.
 Quoted in “The War Game,” Guardian, September 21, 2003.
 Michael Medved, Hollywood vs. America (New York: HarperCollins, 1992).